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・ André Leone
・ André LePage
・ André Lepecki
・ André Lepère
・ André Leroi-Gourhan
・ André Lerond
・ André Lesauvage
・ André Lesueur
・ André Levinson
・ André Levret
・ André Herbelin
・ André Herfindal
・ André Hermsen
・ André Herrero
・ André Hinse
André Hodeir
・ André Hoekstra
・ André Hoffmann
・ André Hoffmann (politician)
・ André Hoffmann (speed skater)
・ André Hornez
・ André Horta
・ André Hossein
・ André Huebscher
・ André Hugon
・ André Hunebelle
・ André Hurst
・ André Hébuterne
・ André Héléna
・ André Höhne


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André Hodeir : ウィキペディア英語版
André Hodeir
André Hodeir (22 January 1921 – 1 November 2011〔(Radio France obituary in archive )〕) was a French violinist, composer, arranger and musicologist.
==Biography==
Hodeir was born in Paris. His initial training was as a classical violinist and composer. He studied at the Conservatoire de Paris, where he took Olivier Messiaen's analysis class, and won first prizes in fugue, harmony, and music history. While pursuing these studies, he discovered jazz, and embarked on an exploration of all music forms, jazz as well as classical. Initially, he recorded on violin under the pseudonym of Claude Laurence (see Tom Lord's "Jazz Discography"). Subsequently as a critic he expressed vigorous disgust with nearly all early jazz (''Jazz: Its Evolution and Essence;'' 1957).
Hodeir was a founder, in 1954, and director of ''Jazz Groupe de Paris'', made up of nine musicians, including Bobby Jaspar, Pierre Michelot and Nat Peck. In 1957, at the invitation of Ozzie Cadena of Savoy Records, he recorded an album of his own compositions with a group of American musicians which included, among others, Donald Byrd, Idrees Sulieman, Frank Rehak, Hal McKusick, Eddie Costa and George Duvivier and, on one track, the singer Annie Ross. He was the author of two books of ''Essais'' (1954 and 1956), of numerous film scores, including ''Le Palais Idéal'' by Ado Kyrou, the Jazz Cantata for the film ''Chutes de pierres, danger de mort'' by Michel Fano, and Brigitte Bardot's ''Une Parisienne''. Hodeir was the founder of his own orchestra during the Sixties (''Catalyse'', ''Arte della commedia dell, ''Transplantation'', ''Crepuscule with Nelly'', etc., available in an album by Martial Solal, in 1984). He wrote several works based on James Joyce, including the 1966 jazz cantata ''Anna Livia Plurabelle'',〔Platt, Len, ''James Joyce: Texts and Contexts''. Continuum (ISBN 978-1-4411-4869-8).〕 and the 1972 work ''Bitter Ending'', featuring The Swingle Singers and a jazz quintet, on the final monologue of ''Finnegans Wake''.

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